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After years of butting up against the indie press poking fun at their sexuality and sisterhood, the Quins have found acceptance in the modern pop world, where strong, nontraditional personalities are in no short supply.As artists like Years and Years, Willow Smith, Halsey, Troye Sivan, and Frank Ocean have proven, gender and sexual fluidity is no longer seen as a limitation.Maybe we can reach enough people that we can sell out a Madison Square Garden or an O2 Arena at some point.

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It's a perk of sharing a face that only one twin had to do it.

“Boyfriend” is one of Sara's songs, and it sounds like a right-to-reply from the silent partners of “I Kissed a Girl” or Demi Lovato's “Cool for the Summer.” “I let you take advantage 'cause it felt so good / I blame myself for thinking we both understood,” Sara sings seductively, before bursting into an anxious, sing-songy ultimatum: “You call me up like you would your best friend / You turn me on, like you would your boyfriend / But I don't wanna be your secret anymore.”She didn’t intend it as a kiss-off.

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She was writing in part about Reader seeing a guy when they first met, and more broadly about gender identity and roles in all relationships, which inspired the video’s fluid, drag-inspired aesthetic: The Quins take turns getting gaudy makeup applied, and a giant motion-capture camera films them in close-up, miming along to the ridiculously catchy track.

In the final, CGI-enhanced edit, the colors will swim across their faces.

Tegan and Sara are low-key stars, and have no intentions of becoming “Olympians,” as Sara admiringly describes Swift and company.

But for them to demand more feels not only radical, but actually possible, and not only because Love You to Death is their strongest, catchiest record to date.

“I think there's a part of me that wishes I lived in a world where it was like that.”Fans won’t see this footage until the Love You to Death world tour, for which Sara has massive ambitions.

Right now, they’re booked to play 4,000-capacity venues in major U. markets, but, she asks out loud: “By 2017 can we be one of the top headlining tours in the States or internationally?

Sara says she’s ready for such an obviously queer pop song (she notes it name-checks The Crying Game) to strike a mainstream chord.